Galileo
Without epic theatricality, Brecht’s emblematic plays can shrink to facile morality lessons. Director Christopher J. Berens reduces Brecht’s 1947 quasi-Marxist retooling of Galileo’s life–a brash, sweeping saga depicting his headstrong struggle to publish scripture-defying scientific discoveries despite threats from the Inquisition–to a measured chamber drama. Brecht created a morally ambiguous title character, part genius, part self-absorbed showman motivated by food, drink, and money, and if you overlook that ambiguity, Galileo becomes merely a noble if occasionally brusque truth seeker....