Angels In America
The Hypocrites’ production of Millennium Approaches, the first play in Tony Kushner’s “Angels in America” diptych, was largely screechy and overacted, but certain key scenes, particularly those between Kurt Ehrmann’s savage Roy Cohn and J.B. Waterman’s tortured, closeted Mormon Joe Pitt, showed how much potential for dramatic truth lay beneath the overplayed exterior. In this production of the second half of the epic, Perestroika, director Sean Graney has unleashed that potential, offering three and a half hours of engrossing, thought-provoking, heartbreaking theater....